December 05, 2007

It is loverly

Shaw's Pygmalion is a delight with strong performances all around. Of course, with the brilliant musical and movie versions ever fresh in our memory, it's hard to watch the show and not make comparisons. The play is profound and chatty, but we're getting close to the point where the simplified issues of class-struggle and the gender gap are so far behind us that while the humor of the comedy comes through, the length of discourse devoted to the drama seems to overwhelm the production.

This is compounded by the choice to play Professor Henry Higgins as a teenager. A true enough characterization, well-played by Jefferson Mays, that also undermines the audiences suspension-of-disbelief. Higgins is alway a jerk, but as a mature Englishman, someone we can somehow try and believe in -- as an immature adolescent, we just don't care.

Claire Danes does very well with the tricky accents of the before and after Eliza. It is, of course, a shame that the key scenes of Eliza's triumph at a Royal Ball (a classic treat of the justly admired George Cukor film, with Cecil Beaton's designs and costumes) are unseen in Shaw's version. Her after-party argument with Higgins, though, does give us the right amount of indignation and new-found self-confidence.

As proof of the age of the play, the ending may need a 21st century rewrite. As it is, instead of letting Higgin's win big (in the script) or even battle to a draw (as in the movie), this version speaks the lines, but leaves Higgins on stage alone with a dawning realization he may well have lost. A bit of a letdown after all the snappy to-and-fro. Posted by netrc at December 5, 2007 02:18 PM